China Box Office: Patriotic Epic 'Crossing' Secures Top Spot Ahead of 'Toy Story 5'
State-backed historical dramas continue to dominate the mainland Chinese theatrical market. Over the weekend of June 26–28, Bona Film Group’s latest war epic, Crossing, successfully secured the number one spot at the domestic box office. According to data provided by industry tracker Artisan Gateway, the film pulled in RMB 79.3 million ($11.7 million) during its three-day opening frame. When factoring in early previews and limited weekday screenings, the film's cumulative total reached a promising $12.8 million, signaling a strong start for the high-budget production.
Directed by the prominent filmmaker Xu, Crossing was specifically produced to commemorate the 90th anniversary of the historic Long March—a fundamental military retreat undertaken by the Red Army that remains a cornerstone of modern Chinese history. Bona Film Group, renowned for producing highly successful "main melody" patriotic blockbusters such as The Battle at Lake Changjin, has once again leveraged national historical sentiment to draw massive family and student audiences. Industry analysts note that the film's meticulous production scale, combined with strategic state-backed promotion, has helped it capture both critical respect and mainstream viewer interest during a highly competitive release window.
Landing in the second-place position was Disney and Pixar’s highly anticipated animated sequel, Toy Story 5. Despite the massive global recognition of the franchise, the film faced stiff competition from the local historical epic, highlighting a broader ongoing trend in the Chinese theatrical market where domestic productions increasingly outperform Hollywood imports. While Toy Story 5 generated respectable numbers, it struggled to match the cultural momentum of Crossing. This shift emphasizes the growing sophistication of domestic Chinese filmmaking and changing local audience preferences, which have leaned heavily toward culturally resonant, local-language stories over the past several years.
Looking ahead, the performance of both Crossing and Toy Story 5 sets the stage for a highly competitive summer cinematic season in China. Exhibitors are optimistic that this diverse mix of heavy-hitting patriotic dramas, family-friendly international animations, and upcoming local comedies will sustain theatrical momentum. As the mainland box office continues to stabilize, the interplay between state-backed epics and Hollywood tentpoles will remain a key indicator of the market's long-term trajectory and its evolving relationship with global cinema.